Lovers of Lucite


Lucite, also known as Acrylic or Plexiglas, is made of the synthetic polymer polymethyl methacrylate- developed in 1928. Although it wasn’t until the 1960s and 1970s that it became popular.

Lucite is the brand name of the polymer developed by DuPont and Plexiglas is the brand name of the Rohm & Haas polymer. Each manufacturer refers to it by it’s own trade name. other names include polycast, perspex, acreylex, acrylite, among others.

The material made a splash at the 1939 world fair in New York but after world war II, the clear acrylics were reserved strictly for military use only. the fact that the material was light while also shatter-resistant and cheap to produce all lead to the material being an essential and practical use for submarine periscopes and aircraft windshields.

After the war, designers in various industries began experimenting with the material. From furniture designers to jewelry and handbag designers- each were looking to implement the material into their latest creations. Soon interior designers were putting lucite and acrylic pieces in homes in Paris, Hollywood and New York. To this day, vintage lucite designs are highly-sought after. Let’s take a look at some of our favorite pieces made of the material.

 

Some of our favorite lucite designs

ÉLYSÉE BOOKCASE BY PIERRE PAULIN, 1971

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J.A. Michell Engineering Ltd., Reference Hydraulic Transcription Turntable, United Kingdom, c. 1965

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Neal Small Acrylic/Lucite lounge chair, 1970s

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Vladimir Kagan custom three-piece sofa, 1968

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Michel Dumas SMOKED LUCITE AND CHROME SHELF, 1970S

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LUCITE GERALD SUMMERS CHAIR, 1970S

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LUCITE BAR CART BY MICHEL DUMAS FOR ROCHE BOBOIS, FRANCE 1970S

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Vladimir Kagan, Pair of Lucite Lounge Chairs, USA, c. 1970’s

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Guy De Rougemont β€˜Nuage’ coffee table, 1970s

 

Robert Van Horn Lucite Ribbon Lounge Chair, Signed, 1970s

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VINTAGE 1970'S TABLE LAMP BY ROMEO REGA WIT A LUCITE SHADE & BRASS DETAILS

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Ettore Sottsass, β€˜Teodora’ chair, Vitra Editions, Italy, 1986-87

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Vladimir Kagan Boomerang Desk and Return, 1970s

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Charles Hollis Jones β€˜Le Dome’ Dining Table, 1970s

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Jacques Charpentier, Lucite and Suede Lounge Chair, 1970

 

Enzo Mari Lucite Sculpture, 1960s

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1970s White Acrylic Desk with Smoked Lucite

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Rare Michel Pigneres Lucite and Nickel Cocktail Table or Dry Bar, France, 1969

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Michel Dumas nesting tables, 1970s

 

Vladimir Kagan Roll Top Writing Desk, 1960s

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Joe Colombo, 281 β€˜Acrilica’ Table Lamp, 1962

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Rare Pair of 'Daffodil' Chairs from Laverne Originals 'Invisible Group' 1960s
$15,000.00

Ships from: Sarasota, Florida

Priced for the pair. Contact us if you would like to purchase individually.

An impressive pair of 'Daffodil' Chairs for Laverne Originals 'Invisible Group' 1960

These incredibly rare chairs came from Long Island, very close to where the Laverne's used to live, on the Louis Comfort Tiffany estate. These have only ever belonged to the original owner and are looking for their forever home. They are very comfortable to lounge in and would be a great addition to a collector. Available to be purchased individually.

Rita Reif, who wrote about the design for The Times, gave the Invisible chairs a rave review in a 1958 article. She said, β€œI knew immediately what it was, how innovative: it was the first time we saw full-fledged modern design in acrylic. so light and airy. Dreamlike. And so amusing. Really the most important thing they (the Lavernes) ever did.” In Reif’s article, Erwine Laverne, a tall, imposing man with a strong ego, told Reif that β€œthe most important element in rooms is people, not furniture.”

Condition:

Good Vintage condition. Wear is consistent with age and use. Chairs show beautifully, with minimal wear. Can come with upholstered seat cushions.

Measurements:

Height: 23.5 in. Width: 30.5 in. Depth: 26.5 in. Seat Height: 12.5 in.

About Erwine and Estelle Laverne:


In 1932 Erwine (1909-2003) and Estelle (1915-1997) Laverne both trained as painters at the Art Students League under Hans Hofmann. In 1934 they married and were inseparable. Soon, the Laverne's pooled their collective talent and focused on designing wallpaper, fabric and furniture. The couple formed Laverne Originals in 1938, which became a largely influential New York company that was driven by their precise and unique modern artistic style. In 1957 they released their β€œInvisible Group” of curvy translucent furniture designed to exist in a space as, Erwine believed, β€œan element of contrast to eliminate sameness.” The molded acrylic seats and lean, fluted bases were reminiscent of Saarinen’s 'Tulip' chair, and the names of some of these Laverne pieces, like 'Daffodil,' 'Lily' and 'Jonquil,' resonated with their inspiration. Unlike their competitors, they were hands-on in all phases of the work -- the designing, manufacturing, selling, promoting and advertising. Estelle, being the more poetic of the two, wrote the imaginative copy and named the designs

Erwine and Estelle lived most of their life on the Louis Comfort Tiffany estate, in Long Island, on over 100 acres of waterfront property. The Lavernes set up a haven for artists to live and create on the Tiffany Property. Many artists passed through the estate such as Alexander Calder. Others would go on to stay as artists in residence.



However, in 1952 the village issued the Lavernes a restraining order to cease and desist the manufacturing of wallpaper in a residential zone on the estate. The Laverne's argued that what they did was 'handcrafting', while manufacturing consists of a factory and heavy machinery. They endured years of legal battles, which took them away from their design business and passion. The court case went to the Supreme Court in the late 60's, where it was refused. After mounting legal costs and damage to their business, Estelle fell ill with multiple sclerosis and the couple ultimately died penniless in a nursing home.

Despite their sad ending, the Laverns left an unimaginable influence on the world of design. Their designs being coveted by dealers, aficionados and collectors from all over.

The Invisible Group by Erwine & Estelle Laverne

 

Vladimir Kagan β€˜Omnibus’ Sectional Sofa with Lucite Legs, 1965

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Neal Small coffee table, 1970

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Set of 5 vintage Sphere dining chairs by Boris Tabacoff for Mobilier Modulaire Moderne, 1971

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Table Lamp by Gabriella Crespi, Italy, 1970s

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HILLEBRAND VINTAGE LUCITE WALL MIRROR WITH BACKLIGHT, GERMANY 1970'S

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Jean Dudon, β€˜Doubla’ Chair, 1971

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Vladimir Kagan β€˜Erica’ chaise, 1969

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Jean Dudon, β€˜Jide’ Chair, 1968

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Pair of 1960s Stilux Milano 'Saturno' Wall Lamps

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Smoked Lucite LOUNGE CHAIRS BY RAPHAEL RAFFEL, 1970S

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Charles Hollis-Jones Attributed Lucite Chaise

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Shiro Kuramata Flower Vases, 1989

 

Pace Collection Lucite Chrome Screw Leg and Glass Coffee Table by Leon Rosen

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Rare Vladimir Kagan Walnut & Lucite Executive Desk. 1970s

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Excellent Charles Hollis Jones King-Size Lucite Waterfall Bed Hollywood Regency, 1970s

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Michel Dumas stools, France, 1970s

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1970s Lucite Armchair by Boris Tabacoff

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Jean Dudon PLexiglass Side chair, 1968

 
 

LUCITE INDOOR TABLE LAMP 'VITTORIO' BY PETER SCHREUDER GOEDHEIJT

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Charles Hollis Jones Brass and Lucite β€˜Metric’ King-Size Poster Bed, 1970s

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DISCLAIMER: THE MILLIE VINTAGE DOES NOT OWN ANY RIGHTS TO THESE PHOTOS. PLEASE NOTE THAT ALL IMAGES AND COPYRIGHT BELONGS TO THE ORIGINAL OWNERS. NO COPYRIGHT INFRINGEMENT INTENDED.


 
 

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The Smith House by Architect Richard Meier, Darien, Connecticut, 1967